FOLIO: has organized a one-day event in Chicago this summer to help niche media publishers leverage the newest strategies to help build stronger brands with more revenue and controlled costs, without losing the core vision.The FOLIO: Growth Summit will take place at the Hyatt Regency in Chicago on June 17 with a pre-day “Social Media Workshop” and networking reception on June 16 targeted to help small and mid-size publishers.The main-day’s interactive sessions will feature a keynote address from Active Interest Media chairman and CEO Efrem “Skip” Zimbalist III who will discuss the importance of leveraging brand equity into new business ventures and how doing so ultimately strengthened his company.Interactive sessions will range in topic from “Re-Engineering Audience Acquisition: Marketing Campaigns and Pricing Models to Keep the Subscriber Base Growing” and “Building A Stronger, Multiplatform Company” to “Who’s Doing What with Content that Works: A Baker’s Dozen of Great Ideas” and “Magazines and Live Events: The Perfect Fit.” In addition to Zimbalist, speakers for these progressive session topics include Atlantic Media’s National Journal Group CEO Tim Hartman, ALM CMO Lenny Izzo, IDG Enterprise CEO Matthew Yorke and Dave Colford, president of Hanley Wood’s Media Network, among many others.For more information about which industry influencers will be speaking at the event or to view a full agenda, please visit www.foliogrowthsummit.com. More on this topic ABM Postpones “Mobile Drill Down” in New York FOLIO: Announces First-Ever E-Media Strategist Summit Agenda Magazine to Relaunch as Best Events Clarity Partners Buys Controlling Stake in Modern Luxury Media IDG: We’ll Be in Print ‘As Long as it Makes Sense’ SNAP Consolidates ConferencesJust In Editor & Publisher Magazine Sold to Digital Media Consultant TIME Names New Sales, Marketing Leads | People on the Move Shanker Out, Litterick In as CEO of EnsembleIQ Bonnier Corp. Terminates Editor-in-Chief for Ethics Breach BabyCenter Sold to Ziff Davis Parent J2 Media | News & Notes This Just In: Magazines Are Not TV NetworksPowered by
19 Photos Pod people: CNET’s favourite podcasts Now playing: Watch this: Comment Soundtrap, a music-making program that Spotify bought in 2017, is releasing a new version of its software designed for podcasters. Getty Next up in Spotify’s podcasting binge: A program that makes mixing and mastering a podcast easier than putting together a Powerpoint presentation. Soundtrap for Storytellers, launching today globaly, is an online program meant to make podcasting accessible for anyone who believes they everything it takes to be a top podcaster except any sort of audio-engineering skills. One of its slickest tricks is interactive transcripts that synch with your audio recording, allowing you to edit the spoken-word audio file as you would in a text document. The program has a two-week free trial and offers access to many of its tools, with limitations, free. To unlock the full suite, a monthly subscription is $15 a month. Paying upfront for an annual plan breaks down to $12 a month. You can also sign up for a $18-a-month bundle that includes Storytellers and all of Soundtrap’s music-making tools. Digital Media Music Spotify buys Gimlet and Anchor on its march to rule podcasts CNET Apps Today And as music culture has shifted to streaming, Spotify and Apple Music have emerged as the leaders in the race to dominate subscription tunes. Spotify remains the biggest streaming service by both subscribers and those who listen for free by far. But Apple Music has been growing quickly, and its iTunes service remains the world’s de facto place to find and download podcastsPeople who create their podcasts on Soundtrap for Storytellers aren’t locked into Spotify for any kind of publishing exclusive. The tool has a tool to publish quickly and easily on Spotify, but podcasters are free to download their final mixes and publish them anywhere they like. The program also has a a pseudo-Skype inside the program itself to record interviews with remote guests, and because it’s cloud-based, multiple people can work on the same podcast even if they’re scattered around the world. It also has a big library of free sound effects and built-in instruments and looping tools to make your own jingles. The program lets you publish your podcast transcript to make it easier for people to find it on search engines. Some caveats about the transcripts: A paid Storytellers subscription gives you 8 hours of interactive transcripts a month. During the free trial, you get 30 minutes of interactive transcripts, and the free version of the software doesn’t include it at all. The Storytellers program is available to use globally, but the interactive transcripts are only available for English. The company said other languages are coming but didn’t specify a timeline. The free version of the programs also lacks features like remote-interview recording, the ability to download a high-quality file of what you’ve created, publishing directly to Spotify or saving a library of your own loops.But the podcasters present for Emanuelsson’s demo last week were intrigued by the tool. “Most podcasters are not music makers,” Alex Ikhehedu of the Need to Know podcast said in an interview. But aspiring podcasters are often faced with professional programs made by Adobe or music-geared software like Garage Band with “crazy confusing presents that no one knows how to use,” he said. “It’s really interesting to get something all in one place, all in one shot,” he said. “It makes it simple … for a user, especially for people who are new to the industry.” Share your voice Tags 1 Spotify acquired Soundtrap at the end of 2017. Sometimes called the Google Docs of music, Soundtrap focused on a music-making program designed to let normal humans record and mix tunes without being an audio engineer. Or, as Soundtrap cofounder and managing director Per Emanuelsson put it last week, you shouldn’t need to know how to use software that “looks like the cockpit of an airplane.””So many people are trying to be creative but they didn’t think they could do it themselves,” Emanuelsson said last week in an interview after presenting the Storytellers product to a group of professional podcasters. Soundtrap’s music-creation tool was designed in the hope of democratizing recorded music production. “That’s what we hope we’ll see here in the podcasting space as well,” he said. Spotify itself is on a serious podcast binge, as it looks for ways to lure in new and different listeners. Earlier this year, the company bought podcast companies Gimlet and Anchor, part of a $400 million to $500 million podcast investment effort this year. Podcast users spend almost twice the time on Spotify, CEO Daniel Ek has said. “By having unique programming, people who previously thought Spotify was not right for them will give it a try.” 2:28 Spotify
While Great Apes like the chimpanzee and orangutan have been observed making tools to aid in the extraction of termites from mounds, this is the first time a smaller species of monkey has been observed making tools. Citation: Mandrill monkey creates tool for a pedicure (w/ video) (2011, July 25) retrieved 18 August 2019 from https://phys.org/news/2011-07-mandrill-monkey-tool-pedicure-video.html Chimpanzees use sex tools More information: Observation of tool use and modification for apparent hygiene purposes in a mandrill, Behavioural Processes, doi:10.1016/j.beproc.2011.06.003AbstractTool making or modification to produce a tool of apparent improved functionality has rarely been reported in monkeys, especially when tools are used outside the context of food acquisition. We report on an observation of selection, modification and use of splinters for hygiene purposes in a male mandrill. The zoo-housed animal was video-recorded breaking splinters in sequence to use them underneath his toenails. This record brings forward new evidence that the ability to use and modify tools is not limited to apes and some New World monkeys but is also apparent in Old Word monkeys.via BBC The discovery happened when lead researchers Dr. Riccardo Pansini was filming the mandrill as part of a stress-related behavior study being conducted at Chester Zoo. In the video, a large male mandrill works to pull apart bark on a twig to make the tool as narrow as he can. Once completed, he then uses the newly fashioned tool to clean and remove the dirt out from underneath his toenails.Mandrills have also been seen modifying twigs to clean out their ears and researchers believe they do this in order to prevent ear infections. Pansini believes this new behavior of creating tools for pedicures may be due to the fact the mandrill is in captivity. Because the mandrill is not focused on mating or finding food, he has the extra time on his hands to perform what could be considered as a trivial task. Yet, he has modified a tool that would normally be used for the hygienic purposes of cleaning out his ears and used it on his toenails.However, other researchers are not as quick to call this tool usage. Dr. Amanda Seed from the University of St Andrews argues that the use of this twig for self-cleaning is not something new and is not sure that it really ranks up there with tool usage. The use of objects to help with self-care is just not the same as creating a tool to help find food like the chimpanzees do when collecting termites. This document is subject to copyright. Apart from any fair dealing for the purpose of private study or research, no part may be reproduced without the written permission. The content is provided for information purposes only. © 2010 PhysOrg.com (PhysOrg.com) — In a recent paper published in Behavioural Processes, scientists reveal a film of a mandrill monkey creating a tool from a stick in order to remove dirt from underneath its toenails. This new finding shows that monkeys may be more intelligent than scientists have previously believed. Explore further
The Delhi High Court has directed city police to probe whether some of its officers suppressed facts in a case pertaining to identification of a body as that of a murder accused who had jumped bail.The accused had allegedly connived with his family members to show the unidentified body as his own to get him declared dead by Uttar Pradesh Police.A special bench of justices Kailash Gambhir and Sunita Gupta directed the DCP concerned, under whose jurisdiction the Seelampur police station falls, to “carefully go through report of UP police” and file a status report by next date of hearing.It issued the direction after noting that UP Police in its report has said that some officers of Anti Auto Theft Squad of Seelampur police station were “guilty of suppressing the facts in the matter”.“Conduct of all these officers is not above suspicion. It was a very serious issue where a decomposed body of some person came to be identified as that of the appellant.“As per the UP police report the officials here are trying to come in the way of justice. It will not be allowed in this case,” the court said, while issuing the directions to Delhi Police. The bench also made it clear that “the necessary facts shall be fully inquired into and no casual approach will be entertained” and directed that the status report be filed in four weeks.The court was hearing the appeal of Rajbir against his conviction by a trial court here in a murder case. During pendency of his appeal in court, he had obtained bail and then went missing.Despite repeated summons, when the court had failed to get his presence in the appeal case, it had decided to direct the police in Ghaziabad to trace him since he belonged to that district.Later information, through UP Police, was received by the court that the accused is dead. UP Police had said family of the accused had identified the clothes found on the body as those worn by Rajbir. The body was handed over to them and they cremated it and got a death certificate in his name.